Hawthorn Customer Information Tab

As our stock levels are low on this sought after item, please contact the gallery direct on 0161 304 7333, or click enquire.

 
Artist: Janet Treby Originals
 
 
Artist:
  Janet Treby
 
Title:
  White on White
 
Medium:
  Mixed Media Original
 
Image Size:
  17 by 12.5 inches
Comments:
mounted
   
 
Price:
  £600
 
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Artist:
  Janet Treby
 
Title:
  Black on Black
 
Medium:
  Mixed Media Original
 
Image Size:
  17 by 12.5 inches
Comments:
mounted
   
 
Price:
  £600
 
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Artist:
  Janet Treby
 
Title:
  Early Morning
 
Medium:
  Mixed Media Original
 
Image Size:
  19 by 13.5 inches
Comments:
 
   
 
Price:
  £850
 
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Artist:
  Janet Treby
 
Title:
  The Bed Towel
 
Medium:
  Original Pastel
 
Image Size:
  21 by 16 inches
Comments:
 
   
 
Price:
  £895
 
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Artist:
  Janet Treby
 
Title:
  The Pink Room
 
Medium:
  Mixed Media Original
 
Image Size:
  18 by 13 inches
Comments:
 
   
 
Price:
  £720
 
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Artist:
  Janet Treby
 
Title:
  Burlesque
 
Medium:
  Mixed Media Original
 
Image Size:
  18 by 13 inches
Comments:
 
   
 
Price:
  Sorry Sold
 
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Artist:
  Janet Treby
 
Title:
  The Proposal
 
Medium:
  Original Pastel
 
Image Size:
  20 by 14 inches
Comments:
 
   
 
Price:
  Sorry Sold
 
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Janet Treby

The youngest of four children I was born in London in 1955 and grew up in a small country village in Bedfordshire. I have always loved the countryside and I have a great passion for wildlife. It was at the age of around 11 years that I realised I wanted to become an artist and I had a choice between art or acting and art won. Having made this choice I was on a mission upon leaving school and embarked on a two year foundation course at Barnfield College.

Upon leaving college I lived in a studio apartment in Wapping, East London and I suppose you could say that I did the ‘bohemian artist’ thing. I had already built up a successful relationship with a gallery called the Curwen Gallery who gave me my first one-women exhibition in the 80s. I also won a few awards – 'The Lloyds Young Printmaker of the Year' and the 'Elizabeth Greenshield award' which allowed me to paint for a year. Throughout all of this in the 80’s I was lecturing and doing other various jobs to support myself and my art. However, although it made me realise just how hard it was to earn a living I was still only interested in painting full-time, I knew that I did not want to lecture full-time or do any other job for that matter – painting was my passion and still is!